Filmmaking
101
I started a four-week, FREE online course in
filmmaking offered by the combined forces of the University of Birmingham, the
BBC Academy and Creative Skillset. - Click HERE
I am enjoying this course and am augmenting it with
tips/techniques from Francis Ford Coppola.
See
my notes below.
Coppola mentions the book 'Kazan on Directing' by
Elie Kazan during his overview of his Prompt
Book created for his film The Godfather. - Click HERE
Another course you may find of interest is through
MasterClass: Aaron Sorkin Teaches Screenwriting - Click HERE
Another resource of interest: Elements of Cinema – A
Student's Guide to the Fundamentals of Filmmaking - Click HERE
Enjoy your summer!
My
notes:
The
Francis Ford Coppola Notebook
Uses original hardback novel to make his notes in.
– Makes a Prompt Book (Stage/Theater Days Style) w/ borders pasted each side of page and grommets over holes for strength.
– Notes placed in margins w/ arrows to lines covered by notes when applicable – color coded.
– Coppola uses his Prompt Book rather than the script during filming – has his notes & original authored text.
– Makes a Prompt Book (Stage/Theater Days Style) w/ borders pasted each side of page and grommets over holes for strength.
– Notes placed in margins w/ arrows to lines covered by notes when applicable – color coded.
– Coppola uses his Prompt Book rather than the script during filming – has his notes & original authored text.
First
reading: Put your impressions down–
initial responses on what was good or bad.
Break
down each area.
a. Synopsys
– synopsize each part, paragraph or two
b. Times
– how does the time period reflect – clothes, customs, settings, style, etc.
c. Imagery & Tone
– things that stand out in the story
d. The Core
– The focal points… Introductions of main characters and subplots, Revelations
of strengths & weaknesses, relationships between characters/settings, etc.
(A Streetcar Named Desire book by Elia Kazan)
Pitfalls
– Dangers one can find themselves in…
a. Clichés:
Language, Attitudes
b. Losing
the reality/humanity of the characters
c. Too
much exposition
d. Inconsistent
character inner conflicts – as portrayed/understood – unintended hypocrisy –
maintain timeline consistency
e. Failing
to set up tensions/friendships/subplots
f. Make
sure ‘everyday’ details occur but not overdone – normalcy of scene content
Scene Divisions
– Set up scenes where you feel is best… not necessarily by chapters.
Notes
also Chart what is happening each page
The
more notes, lines, highlights, underlines on a page indicates importance of the scene
Create suspense
by showing character is not doing what was instructed, or prolonging their
actions beyond what the audience expects
Styles & Details
of scene filming & setup: Hitchcock, Serling, Coppola, etc.
a. Applied
to: Locations/Characters, etc.
b. Details:
Mists of blood from gunshots, spiders crawling, water dripping, actions of
characters (freeze, shock, coughing, coughing - emotional content), etc.
c. Use
an Asterisk to indicate things of
great importance
d. Believability
of characters, their interactions with each other, emotions, audience reactions
– include on and offstage sounds
(background reactions to scene content)
Compare
your Prompt Book with final script draft if script was written by someone else.
Storyboards
– scene setups w/ notes/changes
When
editing, especially with cutting,
ensure consistency – cut all scenes solely dependent upon one another.
Put
your name and location to send your Prompt Book to in case it is ever misplaced
Additional
Notes
F.F. Coppola – Mario Puzo – Gordon Willis
F.F. Coppola – Mario Puzo – Gordon Willis
Once you have fame/power – ensure no one has any say
over casting.
Get the audience to love a character, hate a
character, and to forgive a character.
Film as you wish – not always as ‘tradition’
attempts to mandate – unique
cinematography.
Overhead
lighting (only) use shadows to promote a mysteriousness
about the character (Brando), underexposure
(dim lighting), yellow light in period-old movies (cliché ?), makeup variance, correct
art direction, wardrobe, shot structure, lighting must accommodate your scene’s
filming introduction.
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